A journal for music, sound, and performance in Aotearoa
Editorial
Te Hau/Te Hā: Breath and Sounds of Connection
Improvisation Within a “Liveness” Ecology…
A List of Positions
Inland Renderings: Ruminations on Queer Reproduction, Agricultural Archives, and Douglas Wright’s Inland
Rediscovering “Liveness”: A Musician's Reflection on the Pandemic's Impact on Live Performance
“Am I Overly Suggestible?”: Liveness, Encounter, and the Relational in Contemporary Performance Art
Questions for
On Resisting Extinction
The Page as Stage: A Choreological Response to Art That Moves
TUT-TUT!
Screens: Carefully Arranged Windows into Delicate Rituals of Sound
He Iti Te Oro He Nui Te Kōrero Indigenous Communication through Sound
Learning Your Instrument: A Method-Manifesto
Seven Gestures Towards a New Queer Performance in Aotearoa
A manifesto for practice that makes us possible
Never Quite Enough
Whence Comes Love? The Manifesto as Desire and Demand
The Venue
I ripped yellow in half again and again
Renaissance: On Pop and Its Radical-Utopian Maximalism
A post-reflection memory reconstruction searching for continuity in seemingly disparate experiences
